Looking for medina, metius, media, medic?

Fine Feathers, Folies Bergère, Paris, Clement Haupers — Fine Feathers, Folies Bergère, Paris, 1928
Clement Haupers

Not on View

MMe. Helleu Nursing Baby, Paul-César Helleu — MMe. Helleu Nursing Baby, 19th century
Paul-César Helleu

Not on View

Venice Canal, George Taylor Plowman — Venice Canal, 19th century
George Taylor Plowman

Not on View

La Cretif, Alger, Clement Haupers — La Cretif, Alger, 1928
Clement Haupers

Not on View

Penitentes - The Crucifixion, Bror Julius Olsson (B.J.O.) Nordfeldt — Penitentes - The Crucifixion, 20th century
Bror Julius Olsson (B.J.O.) Nordfeldt

Not on View

Portrait of Joseph Pennell, Emil Orlik — Portrait of Joseph Pennell, 1924
Emil Orlik

Not on View

woman in dress holding gun in shooting booth; target over her PR shoulder with a dog-like animal below; ; number four embossed into lower center of window mat — Schiessbude, from "Jahrmarkt", 1921 (pubished 1922)
Max Beckmann

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upper body of man in hat and costume facing African man with arms crossed in front of chest facing viewer; woman with head covering is seen from behind; number six embossed into lower center of window mat — Der Neger, from "Jahrmarkt", 1921 (published 1922)
Max Beckmann

Not on View

buildings in canal; platform in water at right next to brick building, beneath window; tree in ULQ — Bruges: La Plate-forme du Canal, 1931
Eugène Delâtre

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houses; two figures in foreground, LRQ; three very tall trees at left — Springtime in Senlis, 1925
Samuel Chamberlain

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two horses pulling an unpictured object with rope; a man on each side of the horses; both horses and men are struggling — The Tow Rope, 1920
Robert Sargent Austin

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abstracted image of adults riding on a merry-go-round with two children in LLC watching; woman in front riding on boar; two couples seated in a round seat at left — Das Karussell (Merry-Go-Round), plate 7 from "Jahrmarkt", 1921 (published 1922)
Max Beckmann

Not on View

man smoking cigarette holding bell in L hand; sign on L reads [circus Beckm]; number one embossed into lower center of window mat — Der Ausrufer, from "Jahrmarkt", 1921 (published 1922)
Max Beckmann

Not on View

gathering of circus characters; one group sitting around table with candlelight; men playing instruments and bearded lady on L; number three embossed into lower center of window mat — Hinter den Kulissen, from "Jahrmarkt", 1921 (published 1922)
Max Beckmann

Not on View

head of woman with headband decorated in stars, hoop earring and snake around neck; back of man's body in striped leotard standing at R near curtain; number ten embossed into lower center of window mat — Schlangendame, from "Jahrmarkt", 1921 (published 1922)
Max Beckmann

Not on View

small stage with man holding tuba and sword next to tall thin man in shorts and cap; men facing stage; carnival ride with buildings in view; ; number five embossed into lower center of window mat — Der grosse Mann, from "Jahrmarkt", 1921 (published 1922)
Max Beckmann

Not on View

African performers holding instruments and spear; woman dancing in patterned veil; three men sitting at bottom shown from back and watching performance; number nine embossed into lower center of window mat — "Negro Dance" from "Jahrmarkt", 1921 (published 1922)
Max Beckmann

Not on View

woman on tightrope with one leg raised; body covered in sheet carrying balance bar walking towards her; Ferris wheel behind and below performers; number eight embossed into lower center of window mat — Die Seiltänzer, from "Jahrmarkt", 1921 (published 1922)
Max Beckmann

Not on View

carousel scene; woman in dress on boar; two couples in circular seat; child on horse; carved posts with faces; two men watching the ride in foreground; number seven embossed into lower center of window mat — Das Karussell, from "Jahrmarkt", 1921 (published 1922)
Max Beckmann

Not on View

woman sitting on chair with headband, back to viewer; man on her L applying stage make-up; number two embossed into lower center of window mat — Garderobe, from "Jahrmarkt", 1921 (published 1922)
Max Beckmann

Not on View

line drawing-style portrait of a man with one arm and one leg seated in a low chair; man has dark short-cropped hair and dark moustache and beard; text around figure — Disco Mosul, from "The Amman Project", 2006
Daniel A. Heyman; Printer: C.R. Ettinger Studio

Not on View

portrait of girl — Oriana, 1888
Julian Alden Weir

Not on View

line drawing-style portrait of a man with full lips and heavy cheeks, wearing a jacket with a zippered chest pocket; text at top, L and R edges — He Could Feel the Dog's Breath, from "The Amman Project", 2006
Daniel A. Heyman; Printer: C.R. Ettinger Studio

Not on View

line drawing-style portrait of a man with a heavy face, thin hair and a large dark moustache; text around man’s head, on shoulder and at bottom — He was Happy on that Day, from "The Amman Project", 2006
Daniel A. Heyman; Printer: C.R. Ettinger Studio

Not on View

line drawing-style portrait of a man with a moustache and double chin, with a mole on his PL cheek; text above head, at bottom and across chest — From Here the Tragedy Started, from "The Amman Project", 2006
Daniel A. Heyman; Printer: C.R. Ettinger Studio

Not on View

%C2%A9 2006 Daniel Heyman

Our Eyes were Covered, from "The Amman Project", 2006

Daniel A. Heyman; Printer: C.R. Ettinger Studio

Not on View

line drawing-style portrait of a balding man with very short hair and scruffy chin; may have scar on PL cheek; man wears jacket, shirt and tie; text above figure and on chest — This was the Only Time, from "The Amman Project", 2006
Daniel A. Heyman; Printer: C.R. Ettinger Studio

Not on View

line drawing-style portrait of a man with a large round face, moustache, small scruffy beard, smooth hair and long eyelashes; man wears jacket, shirt and tie; text on top, L and R edges — Why Were You There?, from "The Amman Project", 2006
Daniel A. Heyman; Printer: C.R. Ettinger Studio

Not on View

landscape; farm fields; buildings foreground left; trees; hills in distance — Valley of the Tay, 1931
D. Y. Cameron

Not on View

Drinkers at a Table with Embracing Couples, after 1843

Unknown; Artist: After Charles-Émile Jacque (?)

Not on View

Spider, Louise Bourgeois; Publisher: Peter Blum Edition; Printer: Harlan & Weaver, New York — Spider, 1995
Louise Bourgeois; Publisher: Peter Blum Edition; Printer: Harlan & Weaver, New York

Not on View

line drawing of man seated with his legs crossed at the knee and his hands folded in his lap; he faces to the viewer's left — Sigmund Abeles, 1970
Barbara Swan

Not on View

man in center of image with head resting in his hands; he is surrounded by tall buildings and there is a sun in upper left corner of image — Wait, 1919
Walter Gramatté

Not on View

From a series of four etchings for the story "Der Rebell" by Manfred Georg, Heinrich Hochstim-Verlag, Berlin, 1918; man in lower left corner with hands holding onto a railing in front of him; sketchily drawn figures behind him, some wearing tophats — Robert in the Theater, Plate 2 from Der Rebell (The Rebel), 1918
Walter Gramatté

Not on View

From a series of four etchings for the story "Der Rebell" by Manfred Georg, Heinrich Hochstim-Verlag, Berlin, 1918; man upside down and falling with arms to his side and right hand and fingers extended — The Fall into Infinity, Plate 4 from Der Rebell (The Rebel), 1918
Walter Gramatté

Not on View

From a series of four etchings for the story "Der Rebell" by Manfred Georg, Heinrich Hochstim-Verlag, Berlin, 1918; man in lower left corner with hands holding onto a railing in front of him; sketchily drawn figures behind him, some wearing hats — Robert in the Theater, Plate 2 from Der Rebell (The Rebel), 1918
Walter Gramatté

Not on View

a man and a woman sit facing each other on the left side of the image; the woman is bare-chested and in the foreground is a table with various drinking glasses and a plate — Brothel, Small, 1916
Walter Gramatté

Not on View

Café, 1917

Walter Gramatté

Not on View

From a series of four etchings for the story "Der Rebell" by Manfred Georg, Heinrich Hochstim-Verlag, Berlin, 1918; full length image of a man on right side wearing a long coat and boots standing on a table; his intestines are exposed and falling from a large opening in his abdomen; in the lower left corner are the heads of three men; above the heads in the background are a number of smaller less defined figures coming toward the figures in the foreground — Scene in the Cafe with the War-Wounded, Plate 3 from Der Rebell (The Rebel), 1918
Walter Gramatté

Not on View

on the right a large cylindrical building; to the left of this building are two houses, one with a tall chimney next to it — Gasworks, 1916
Walter Gramatté

Not on View

three people sitting in an enclosed space with a lantern hanging from the ceiling on the right side — Three People in a Cabin, 1920
Walter Gramatté

Not on View

disembodied head with large expressive eyes and hand with long bony fingers in lower right corner — The Great Fear, 1918
Walter Gramatté

Not on View

From a series of four etchings for the story "Der Rebell" by Manfred Georg, Heinrich Hochstim-Verlag, Berlin, 1918; full length image of a man on right side wearing a long coat and boots standing on a table; his intestines are exposed and falling from a large opening in his abdomen; in the lower left corner are the heads of three men; above the heads in the background are a number of smaller less defined figures coming toward the figures in the foreground — Scene in the Cafe with the War-Wounded, Plate 3 from Der Rebell (The Rebel), 1918
Walter Gramatté

Not on View

man in center of image with head resting in his hands; he is surrounded by tall buildings and there is a sun in upper left corner of image — Wait, 1918
Walter Gramatté

Not on View

two female figures sleeping in bed; figure in the foreground on her side with arm in front of her and the figure in the background is on a large pillow with her arm draped across her forehead; behind the bed in the upper left is a window with a quarter moon — Sleeping Girl (Sonia Gramatté), 1921
Walter Gramatté

Not on View

Café, 1917

Walter Gramatté

Not on View

Homecoming, 1920

Walter Gramatté

Not on View

figure of a man whose body runs diagonally across the image; hands and arms are outstretched above his head in the upper left corner with feet in the lower right corner; face has large expressive eyes and mouth is partially open — Outcry, 1918
Walter Gramatté

Not on View

close up of a woman's head with her hands cupped on either side of her head near her eyes — Portrait, 1919
Walter Gramatté

Not on View

From a series of four etchings for the story "Der Rebell" by Manfred Georg, Heinrich Hochstim-Verlag, Berlin, 1918; close-up of a man's head with large expressive eyes staring straight ahead; there is a black dot between his brows with a black trail of ink running down the side of this nose and cheek — Peter's Head with the Gunshot Wound in the Forehead, Plate 1 from Der Rebell (The Rebel), 1918
Walter Gramatté

Not on View

bust-length image of a woman with breasts visible under a garment with a collar; head of the woman is turned to the right and her hair is pulled away and straight back from her prominent forehead; a jagged line is drawn around the figure in the background — Woman II, 1920
Walter Gramatté

Not on View

Woman I (Seated Nude), 1920

Walter Gramatté

Not on View

woman's head in lower half of image with a man behind her with his arms wrapped around her head and neck; a quarter moon is in the upper right corner — Two Humans, 1919
Walter Gramatté

Not on View

small portrait of face and bust of a pensive-looking, older man with bushy beard and receding hairline; brownish paper — Edouard Manet, from nature in a single sitting, 1876
Marcellin Gilbert Desboutin

Not on View

abstracted landscape with tall tree at left; road in front of buildings at right; grove of trees below at left; air balloon in sky, ULQ — Landschaft mit Ballon (Landscape with Balloon), 1918
Max Beckmann

Not on View

Divergent Paths, Francis Seymour Haden — Divergent Paths, 1877
Francis Seymour Haden

Not on View

St. Jerome by the Willow Tree, Albrecht Dürer — St. Jerome by the Willow Tree, 1512
Albrecht Dürer

Not on View

A Backwater, Francis Seymour Haden — A Backwater, 1877
Francis Seymour Haden

Not on View

Tête de Femme de Profil, Pablo Picasso — Tête de Femme de Profil, 1905 (printed 1913)
Pablo Picasso

Not on View

bound standing Christ at center standing on raised platform with two dark arches below; Christ is accompanied by sanding soldiers and other figures; onlookers at left and right below platform; figures in windows in upper quadrants — Christ Presented to the People (Ecce Homo), 1655
Rembrandt Harmensz. van Rijn

Not on View

two old women seated at a wide table; woman in front wears dark bonnet, rests her PR fist on her cheek and has a bowl and spoon in front of her; bearded man rests his head and PR arm on table, seated between women; large covered basket in foreground, LLQ; other figures in background — At the Château Rouge, 1899
Edgar Chahine

Not on View

portrait of a man seated in a dark upholstered, high-backed chair, leaning toward PR; man has white hair and thick moustache and wears dark tie; PR hand resting on table in front of man's chest, holding cigarette — Portrait of Alfred Stevens, 1900
Edgar Chahine

Not on View

portrait of balding man with heavy dark beard and white hair; thick eyebrows — Portrait of Paul Verlaine, 1925
Edgar Chahine

Not on View

close-up view of a man with a cigarette in his mouth, pointing his PR hand and holding a bell in his PL hand; sign behind man's head reads, "CIRCUS BECKM..." — Der Ausrufer (The Barker) (Self-Portrait), 1921 (published 1922)
Max Beckmann

Not on View

Ellen Holding a Cat, Looking Left, Mary Cassatt — Ellen Holding a Cat, Looking Left, c. 1887
Mary Cassatt

Not on View

The Caress, c. 1891

Mary Cassatt

Not on View

3/4 bust of male figure with long hair, glasses, and a long goatee; image area is circular — Head of a Man, after 1848
Charles-Émile Jacque

Not on View

postage-stamp sized image: standing male figure in breeches and white shirt standing with back to viewer, holding a stick and with a basket on his back; angled toward rear; shadow of another figure LRQ, possibly seated — Ragman, 1843
Charles-Émile Jacque

Not on View

group of seated figures in an interior space, rendered in thin, black lines; left-most figure is standing and holding a lighted candle in PR hand; C figure wears a mask over eyes; two framed pictures in background in top C; ceiling lamp in top C; matted and framed; frame has silver patina on front side, with dark brown outer edges — Vor dem Maskenball, 1923
Max Beckmann

Not on View

From the cancelled plate. — Reading a Book, 19th century
James Abbott McNeill Whistler

Not on View

From the cancelled plate. — The Silk Dress, 19th century
James Abbott McNeill Whistler

Not on View

From the cancelled plate. — Astruc, A Literary Man, 1859
James Abbott McNeill Whistler

Not on View

head (fully realized) and torso (sketched) of man in 3/4 view, with arms crossed; man has long disheveled hair and small beard — Drouet, 1859
James Abbott McNeill Whistler

Not on View

head (fully realized) and torso (sketched) of man in 3/4 view, with arms crossed; man has long disheveled hair and small beard — Drouet, 1859
James Abbott McNeill Whistler

Not on View

Whistler with the White Lock, James Abbott McNeill Whistler — Whistler with the White Lock, 1879
James Abbott McNeill Whistler

Not on View

From the cancelled plate. — Whistler's Mother, 1870-1873
James Abbott McNeill Whistler

Not on View

Garibaldi Veteran, Cadwallader Washburn — Garibaldi Veteran, 19th century
Cadwallader Washburn

Not on View

portrait of a man seated in a dark upholstered, high-backed chair, leaning toward PR; man has white hair and thick moustache and wears dark tie; PR hand resting on table in front of man's chest, holding cigarette — Portrait of Alfred Stevens, 1900
Edgar Chahine

Not on View

portrait of a man seated in a high-backed chair, leaning toward PR; man has white hair and thick moustache and wears striped tie; PR hand resting on table in front of man's chest; unfinished--first state? — Portrait of Alfred Stevens, 1900
Edgar Chahine

Not on View

From a series of four etchings for the story "Der Rebell" by Manfred Georg, Heinrich Hochstim-Verlag, Berlin, 1918; close-up of a man's head with large expressive eyes staring straight ahead; there is a black dot between his brows with a black trail of ink running down the side of this nose and cheek; a small hourglass is in the lower left corner — Peter's Head with the Gunshot Wound in the Forehead, Plate 1 from Der Rebell (The Rebel), 1918
Walter Gramatté

Not on View

From a series of four etchings for the story "Der Rebell" by Manfred Georg, Heinrich Hochstim-Verlag, Berlin, 1918; full length image of a man on right side wearing a long coat and boots standing on a table; his intestines are exposed and falling from a large opening in his abdomen; in the lower left corner are the heads of three men; above the heads in the background are a number of smaller less defined figures coming toward the figures in the foreground; in the lower right corner is a small house wtih two windows and a door — Scene in the Cafe with the War-Wounded, Plate 3 from Der Rebell (The Rebel), 1918
Walter Gramatté

Not on View

From a series of four etchings for the story "Der Rebell" by Manfred Georg, Heinrich Hochstim-Verlag, Berlin, 1918; man in lower left corner with hands holding onto a railing in front of him; sketchily drawn figures behind him, some wearing tophats; in the lower right corner is a small head with large round eyes wearing a tiny tophat on the left side of his head — Robert in the Theater, Plate 2 from Der Rebell (The Rebel), 1918
Walter Gramatté

Not on View

Two War Comrades, 1920

Walter Gramatté

Not on View

construction site in a large reinforced pit with workers throughout; busy street scene at top of image with cars and people in city — Manhattan Excavation, 1923-1928
Muirhead Bone

Not on View

The Map, Mary Cassatt — The Map, 1890
Mary Cassatt

Not on View

Self-Portrait, Max Beckmann — Self-Portrait, 1919
Max Beckmann

Not on View

Mars Bound by Cupid, Master of 1515 — Mars Bound by Cupid, c. 1515-1520
Master of 1515

Not on View

Seated Nude, Berthe Morisot — Seated Nude, 1887-1888
Berthe Morisot

Not on View

Portrait of Julie Manet, Berthe Morisot — Portrait of Julie Manet, 1887-1888
Berthe Morisot

Not on View

Daphnis and Chloé, Joan Miró; Printer: Printed at Atelier Lacouriere; Publisher: Tériade, Paris, France — Daphnis and Chloé, November 1933
Joan Miró; Printer: Printed at Atelier Lacouriere; Publisher: Tériade, Paris, France

Not on View

The Forge from "Sixteen Etchings of Scenes on the Thames and Other Subjects", James Abbott McNeill Whistler — The Forge from "Sixteen Etchings of Scenes on the Thames and Other Subjects", 1861
James Abbott McNeill Whistler

Not on View

Selbstbildnis mit steifem Hut (Self-Portrait in Bowler Hat), Max Beckmann — Selbstbildnis mit steifem Hut (Self-Portrait in Bowler Hat), 1921
Max Beckmann

Not on View

Drouet, James Abbott McNeill Whistler — Drouet, 1859
James Abbott McNeill Whistler

Not on View

Berthe Morisot and Julie Manet, Berthe Morisot — Berthe Morisot and Julie Manet, c. 1888-1890
Berthe Morisot

Not on View

Spanish Gypsy, William Merritt Chase — Spanish Gypsy, 1883
William Merritt Chase

Not on View

The Smoker, Édouard Manet — The Smoker, 1866
Édouard Manet

Not on View

Snake Charmer, Max Beckmann — Snake Charmer, 1921
Max Beckmann

Not on View

The Sycamore Leaf, Maurice R. Bebb — The Sycamore Leaf, 1950
Maurice R. Bebb

Not on View

Consumptive Girl (or TB), Adolf Dehn — Consumptive Girl (or TB), 1926
Adolf Dehn

Not on View

Seated Girl, Karl Hagedorn — Seated Girl, 1966
Karl Hagedorn

Not on View

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